Consciousness & Creation A Study of the Process of Communication and Innovation in the Design of Contemporary Urban Monuments

Authors

  • Rashaa Malik
  • Alaa Hadi

Keywords:

Creativity, Poetic architecture, Sign, communication theory

Abstract

The main message that any architectural work carries is related to the objective facts and literal meanings. Architecture "in the eyes of the theorists" has always been in between. Architecture has the physical characteristics that enable it to be declared as visual engineering facts. On the other hand the vision of creative architectural works around us cannot be emptied from the poetic literal performance as a literal work. Connection happens when the recipient has reaction towards the architectural work. At this point the ultimate aim for this processes happens in two directions. To communicate with the Architectural work, there should be a process of the characteristics of the human mind to respond to the perception so that the recipient understands the architectural work . Depending on the process of perception which depends on the human mind and its awareness taste of Architecture through analysis. The relation between man and architecture is the main point of poetic relation of architecture because it is, space and place, therefore, two main directions can be found between the recipient and the architect which is the connection. The objective is to find a mechanism that help to measure the degree of similarity between the creator interpretation and the recipient of the creative architectural work through the signal concept which depends on the literal studies and the poetic concept in architecture which is used to measure the general taste of humans. Hypothesis of the study can be illustrated as" architecture creative process cannot reach its perfectness unless the schemata of the recipient reach its ultimate while his evaluation of the architectural-product". It's the positive understanding of the architectural work through the communicative relation with the viewer.

Metrics

Metrics Loading ...

References

-Armand, Louis.2007. Contemporary Poetics, pp8-52, Marjorie Perloff. http://books.google.iq. /

-Antoniadis. 1999. Poetics of Architecture, Theory of design, pp.119-189, Van Nostrand . Rein hold New York.

- Zuhdi, Basher. 1988. The science of beauty and criticism, pp.210-212, Damascus University presses.

-Eco Umberto, Broadbent, Geoffrey and others. 1980. Sign, likeness, Symbol &Architecture, pp.58-72, John Wiley and Sons, Chi Chester.

- Gero, Stolintese. 1988. The Artful Criticism, An Esthetic and Philosophical Study, Translated by: Fu ad Zechariah, pp.68-101, The Arabic Institution For Research and Publication.

- Hegel. 1979. The Art of Architecture translated by George Tarabishi, p.55, Al Taleeah House for Publishing.

- Reference from Internet: http: //ar. Wikipedia. org. (date of connection: 2013)

-Kant, Immanuel.1973. Observations on the feelings of the beautiful and sublime, Translated by John, Goldthwaite, p.54, University of California Press.

- Abdu, Mustafa. 1999. The philosophy of Beauty, Second edition, pp.162-169, The Arabic Institution For Research and Publication.

- Architecture world. 2009. 55 44 skyscrapers, pp.76-284.

Downloads

Published

2014-11-22

How to Cite

Malik, R., & Hadi, A. (2014). Consciousness & Creation A Study of the Process of Communication and Innovation in the Design of Contemporary Urban Monuments. ICONARCH International Congress of Architecture and Planning, (ICONARCH-2, Proceeding Book), 383–395. Retrieved from https://iconarch.ktun.edu.tr/index.php/iconarch/article/view/121